Nana Suzuki depicts women within a quiet light, projecting their inner selves. Whether lying indoors or standing by the sea, each scene portrays a woman lost in thought.

There resides a serene stillness that conceals emotion, alongside faint, persistent stirrings of the heart beneath the surface. This resonates with the viewer's memories, leaving a profound afterglow.

During her 2025 autumn research trip to Italy, the profound impressions from the Uffizi Gallery and churches across the country were reflected in new works. Motifs like the starry sky designs painted on church ceilings appear as backgrounds, adding depth through their devout and grand themes.

Furthermore, his encounter with a new model in Kyoto coincided with this period, broadening his expressive range even further. His commitment to delving deeper into what he wishes to depict, combined with his decade of experience both domestically and internationally, fuels great anticipation for his future developments.